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   Web Issue 3209 July 25 2008   
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Drama school protesters demand that we act now
ROBBIE DINWOODIE, Chief Scottish Political CorrespondentMay 02 2008
PERFECT PITCH: Michael Thomas, Anna Cox and Sarah Hopfinger, who are RSAMD students, protest outside the Scottish Parliament yesterday.
PERFECT PITCH: Michael Thomas, Anna Cox and Sarah Hopfinger, who are RSAMD students, protest outside the Scottish Parliament yesterday.

It was the demonstration that had everything. Talented musicians playing Wagner and Bizet and actors handing out leaflets.

It was one that politicians of all parties turned up to, but it didn't have the real stars, David Tennant of Doctor Who or James McAvoy of The Last King of Scotland, because as it was pointed out they were too busy working all over the world.


And that was the point, said organisers. Allow the Royal Scottish Academy of Music and Drama to decline and Scotland loses global cultural clout.

The issues had been raised inside that chamber by Glasgow Kelvin MSP Pauline McNeill, demanding special action to save RSAMD from disaster. The problem was that those speaking for the institution outside were clear that it was a problem dating back to 1992 that had not been addressed by governments since then.

That was the year when the funding council decided that our future James MacMillans or Evelyn Glennies would receive full "conservatoire" funding as emergent musicians, but our future James McEvoys or David Tennants would be categorised with hospitality workers and funded at barely half the rate.

Waiters versus Oscar winners resulted in a generation of underfunding for RSAMD, where the institution equalised the £12,000 per head music students received with the £7000 paid for drama students and soldiered on. Now a pay award for lecturers threatens a £600,000 funding crisis next year as all the reserves have been used up.

Barry McAleer, student union president, said: "We have survived 16 years of underfunding because of cross-subsidy.

"Without that subsidy we would never have had Tom Conti, James McAvoy, Alan Cumming, John Hannah or Robert Carlyle."

Chris Wlliot, graduate member of the Student Union, said: "We have produced such successful graduates that they are in Los Angeles, London and Italy today, but if this institution did not exist then James McAvoy would not have starred in The Last King of Scotland, the Black Watch would not have had a cast, and River City would be a wasteland."

Tom Conti sent a message of support saying: "If I had not got in, I would probably not have a career as an actor." In similar vein, John Hannah said: "It's true that these cuts are being forced on the academy when what we need is investment in talent."


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Posted by: subrosa on 1:01am Fri 2 May 08
The Scotsman is running this story too. It appears the theatre had to be closed on H & S grounds in 2005. The repair cost was £3m.

Shows how well funded it was by the previous administration.

What a mess the SNP are still having to tidy up.
Posted by: heather, glasgow on 9:47am Fri 2 May 08
Actually the Scotsman article is about the cutting of courses at Queen Margaret University in Edinburgh. It does mention the RSAMD though. The underfunding is a historic issue, and not directly the fault of the SNP, but given this situation lets hope they recognise what Scotland will be losing.
Posted by: David on 10:03am Fri 2 May 08
"Act now" good one!
Posted by: cherrycherry, Scotland on 1:14pm Fri 2 May 08
Lobbying for proper funding of the academy has probably long been high on its agenda. In order to continue to produce world class performers in music and drama, it must have that extra funding.
...and it must also have people at the top who know how to manage it.
Posted by: Disgusted Dorothy, Glasgow on 2:51pm Fri 2 May 08
When the "new " RSMDA was "custom " built there was a furore over the windowless rooms and theatre seats being unsighted , some architect should have been pilloried for the defects but , of course, that did'nt happen.
There have been mutterings of unrest about an HR department that has grown beyond purpose.
Once upon a time ONE lady handled the running of the Drama side most effectively, her name was Mrs Douglas and as things grew she was ably assisted by one other who eventually took over.
Posted by: millerea, RSAMD grad, Ohio, USA on 2:43am Wed 14 May 08
Scotland, you have an extraordinary cultural resource in the School of Drama at the RSAMD. It's not just about the actors who graduated from there, but the RSAMD-trained backstage people that make all the magic possible. And then there are the other unsung cultural heroes--RSAMD-traine
d drama teachers in our high schools. Let's see some understanding of and respect for the contribution made by the "D" side of the RSAMD. How about showing that understanding and respect in terms of equal funding?
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